Ying-Wei, LI
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Ying Wei, Li was born in 1963 in Jilin, China. He graduated from oil painting department, Northeast Normal University in 1988. He is presently a professor, an advisor for graduate students in the oil painting department of the Academy of Fine Arts in Shenyang University, now a member of China Artists Association and a member of the council in Liaoning Young Artists Association and Shenyang City Artists Association. He was elected in several awards and many of his works are in major art museums. |
AWARDS/ EXHIBITIONS
| 1992 | '' Great Wall Warrior'', awarded the Bronze Prize of Mukden Incident Memorial Art Exhibition, Beijing Fine Art Academy, Beijing, China |
| 1994 | ''Way to a Distant Place'' in the 8th Art Exhibition, National Art Museum of China, Beijing, China |
| 1995 | ''Gloaming Moon'', awarded the Silver Prize of 2nd Liaoning Oil Painting Exhibition, Liaoning, China |
| 1996 | ''Cart'' in the 3rd National Watercolor Exhibition, National Art Museum of China, Beijing, China |
| 1997 | ''Great Wall'', awarded the Gold Prize of Hong Kong’s Return, in Liaoning Art Exhibition, Liaoning, China |
| 1999 | ''Pilgrims'', awarded the Gold Prize of Liaoning Great Portraits Exhibition, Liaoning Art Museum, Liaoning, China |
| 2000 | ''Fresh Rain in Deserted Mountain I '' awarded the Gold Prize in Oil Painting works in the Artist Placement Exhibition, Luxun Academy of Fine Arts, Shenyang, China |
| 2000 | ''Fresh Rain in Deserted Mountain Ⅱ'', awarded the Gold Prize in the 3rd Young Artist Exhibition in Liaoning Province, China |
| 2002 | ''Lily'', awarded the Silver Prize of the exhibition of the best works for memorizing the 60 the anniversary of Chairman Mao’s Speech inn yan’Art Forum |
| 2003 | ''Flowers and Shadow'', awarded the Gold Prize of Liaoning Province Excellent Art Exhibition”, Luxun Academy of Fine Arts, Shenyang, China |
| 2003 | ''Children’s Bike, Man, Child'', awarded the Excellence Award in the 3rd Chinese Oil Painting Exhibition, National Art Museum of China, Beijing, China |
| 2004 | ''Man, Child, Swing'', exhibited in the 10th China National Art Exhibition, Guangzhou Art Museum, Guangzhou, China |
| 2005 | ''Leap'', exhibited in the 6th National Sports Art Exhibition, National Art Museum of China, Beijing, China |
| 2005 | ''A Migratory Bird'', in the 2nd Beijing International Art Biennial Exhibition, Beijing, China |
| 2005 | ''Color Blooded clothes'', in the 2nd Beijing International Art Biennial Exhibition by the National Art Museum of China, Beijing, China |
| 2006 | ''Ocean and Lake Spring '', awarded of Academic Award of Liaoning Artist’s Life Drawing Excellence Exhibition, Liaoning Art Museum, Shenyang, China |
| 2008 | ''Night River'', awarded the Silver Prize of Liaoning Art Exhibition, Liaoning Art Museum, Shenyang, China |
| 2008 | ''Country'', exhibited in Chinese Life Drawing Oil Painting Joint Exhibition, National Art Museum of China, Beijing, China |
| 2011 | ''No More Sorrowful Dream'', exhibited in My Land My People Guest OilPainting Exhibition, National Art Museum of China, Beijing, China |
| 2011 | ''Beautiful Memory'', in the Art Biennial Exhibition hosted by Liaoning Province Artists Association and won the highest award-Academic Awards |
| 2011 | ''Rain of Flowers'', awarded the Gold Prize in Liaoning Excellent Works, National Art Museum of China, Beijing, China |
| 2012 | ''Wetlands'', awarded the Gold Prize in Liaoning Scenery Excellent Exhibition, Liaoning Art Museum, Shenyang, China |
| 2013 | ''Embellishing'' in the Beautiful Liaoning Oil Painting Excellent Work Exhibition, Liaoning Art Museum, Shenyang, China |
| 2014 | ''Wetland Spring'', was awarded the Excellence Award in the 12th National Art Exhibition–Shenyang, China |
| 2015 | ''Holidays'', in the Exhibition of Korean and Chinese Art, Luxun Academy of Fine Art, Shenyang, China/ Seoul Museum of Art , Seoul, Korea |
| 2015 | ''Still life ⅠⅡⅢ'', Shenyang Guest Exhibition, Liaoning Art Museum, Shenyang, China |
| 2015 | ART AMOY, Xiamen International Convention and Exhibition Center,Xiamen, China |
| 2015 | ART TAICHUNG, Taichung Millennium Hotel, Taichung, Taiwan |
| 2015 | Intimate with Nature / Li Ying Wei solo exhibition, Artnutri Gallery,Miaoli, Taiwan |
| 2016 | Into The Mind Scene/ joint exhibition, Artnutri Gallery, Miaoli, Taiwan |
| 2016 | ART KAOHSIUNG, Kaohsiung The Pier-2 Art Center, Kaohsiung,Taiwan. |
| 2017 | ART & CREATIVE EXPO TAIWAN, Dali Art, Taichung, Taiwan |
| 2017 | Spring Cultivation/ joint exhibition, Artnutri Gallery, Miaoli, Taiwan |
| 2017 | Inside and Outside the Figures/ joint exhibition, Artnutri Gallery, Miaoli,Taiwan |
| 2017 | ART FORMOSA, Eslite Hotel, Taipei, Taiwan |
| 2017 | ART TAICHUNG, Millennium Hotel and Resorts, Taichung, Taiwan |
Into the Mind's Scene - Ying-Wei, Li
Since 2011, Li Ying Wei’s Intimate with Nature series has portrayed each living corner of northeastern China such as mountain dwellings, wetlands, trees, and swamps. His paintings always give a serene, placid air. Each ordinary, inconspicuous corner depicted in his work inspires the audience each and everytime, powerfully evoking their memories of all the states of growth in life. With an ornate yet subtle techniques and unique tone, he expresses his attitude towards society and the environment as well as his personal memories. The visual impacts, being well-arranged and elaborate, exhibit nature’s time and its richness. The captivating, exquisite techniques and unique color tones are ways Li expresses his perspective on society and personal memories. The visual impacts are present with well-organized and delicate layers, conveying the sense of passing time and its mellowness through a serene and calm at mosphere. The work communicates cold environmental and cultural reflections amidst a seemingly ideal habitat. In the work “Black and White Series” the artist leads the scenery into an obscure and poetic level. What this work depicts is more than the production of form; it includes the blurriness of the imagery. Li completely merges the state and inner landscape of the creator into the work, giving life to the image. Ying-Wei Li enlarges memories of growth in the natural world as well as surrealillusions and changes of the mind after experiencing civilization. Using black and white, the basic elements of all things, the focused temperament of authenticity, modesty, and simplicity is incredibly charming. The beautiful illusions created by Li are depictions of an eerie sense of satisfaction after destruction, the abandoned, damaged state of ruins and nihility. Emptiness, desolation, and separation; clarity, sensitivity, and vulnerability. The paradox between human beings and the environment lies in the hope and temptation towards development, a cycle of yearning for spiritual perfection after enlightenment. Reality and dreams are sceneries that exist in our inner worlds. Ying-Wei Li achieves spiritual liberation with the rich diversity and repair throughout the natural world.
Ying wei, Li < Childhood Dream No.3 >，2011，oil painting，220 x170cm
Ying wei, Li < Moist Soil >，2012，oil painting，215 x170cm
Ying wei, Li < Waiting for Backyard >，2016，oil painting，240 x200cm
Ying-Wei Li “Waiting for Backyard”
Li’s lwork intends to point out the restored vitality in the wake of ecological disequilibrium. Only the virtuous can carry and sustain the utmost; the force of nature is always irresistibly and persistently repairing the devastation left in the wake of human activities. Green is the main color scheme in the work to highlight ecology, all sentient beings, and the resilience in life, as well as the impregnable dignity.
Ying-Wei Li “Waiting for Backyard”
Li’s lwork intends to point out the restored vitality in the wake of ecological disequilibrium. Only the virtuous can carry and sustain the utmost; the force of nature is always irresistibly and persistently repairing the devastation left in the wake of human activities. Green is the main color scheme in the work to highlight ecology, all sentient beings, and the resilience in life, as well as the impregnable dignity.
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http://dwtzb.syu.edu.cn/info/1798/3125.htm